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Many years ago, long before James Bond became the high-tech hero of the movie place, there were a residence of enchanting books written by a gentleman named Ian Fleming. These books were about a well-behaved British Intelligence agent, code name 007. With due regard to Sean Connery and the equally effective Timothy Dalton, George Lazenby, the star of On Her Majesty’s Secret Service, is by far the closest of the Bond actors to the character of the books. There is nothing charming or even particularly likeable about the James Bond of print. He is a totally non-descript character who can easily go into any crowd; a cold-blooded killer who will enact his mission regardless of the cost. Connery came halt in Dr No, Tim Dalton even closer in License to Destroy but both are too physically glorious to accurately depict 007. In these regards, Lazenby excels in his protrayal of Bond.
This memoir is a moving, emotional memoir of an agent committing the ultimate sin, getting fervent with another individual alive to in a mission. All of the normal Bond components are present; gadgetry, high-speed chases, lots of explosions and lots of gorgeous girls. This one goes one step farther, giving us a truly malevolent villain (played brilliantly by Telly Savalas) and Bond’s only moral romantic interest (played equally brilliantly by Diana Rigg) .
The action is non-stop, the locations are radiant, the soundtrack one of the best. The climax is one of the most gut-wrenching ever placed on film.
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On Her Majesty’s Secret Service has often been placed at the very bottom of the long list of James Bond vehicles. It doesn’t belong there. This is an outstanding film with a truly outstanding cast. Give it a try. You won’t be disappointed.
When other Bond fans first talk to me the the query they always ask is “What do you deem of O.H.M.S.S.? “. The respond to that is not a simple one.
I first saw the film in the cinima in 1973 and was surprised, given all the negative reports I’d heard about it, how excellent it was. Although very long by Bond standards the film moves along at a gorgeous clip and has the capacity to capture the viewer. Although several of the earlier films in the series follow the main situation lines from the novels, from which they remove their names, this is the only atempt by EON to film an Ian Fleming book as written.
Watching the film on DVD all these years later was a joy. The transfer is surperb the, sound crisp and short of watching a pristine print in a film theatre this is the best vision of this film your ever going to ogle. The additional features particularly the director’s commentry fabricate this a must for any of the many fans that this film has.
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O.H.M.S.S has a expansive “leer” and the deep purple colour that is in the opening sequence, continues in the titles and is seen through out the rest of the film in various guises. There was a kind of chic fashion honest at the demolish of the sixties after the hippies and before the seventies gave style a poor name; this is one of the few films that captures that time. Objective peruse at the crop of James Bond’s suits or the dresses stale by the girls in Piz Gloria; it’s nostalgia perhaps but I fancy it!
George Lazenby is element of the film that most people seem to abominate and the fact that he started out as a model is usually sited as proof of his lack of acting ability; well actually Sean Connery started out as an art college life model. At least George kept his clothes on in the “Gigantic Fry” ads.! But seriously, for the most share he looks sizable in the action sequences and when he has to play the normal affable, laughing in the face of wretchedness, side of Bond he’s at least acceptable; but when he has to step out side of that, for instance when he confronts Tracy in his hotel room early on in the film that he becomes less convincing. Compare that with Sean’s Bond when he confronts Tatiana in the hiss in “From Russia With Care For” and you’ll explore what I’m getting at. But actually his attempt is better than Roger Moore’s confrontation with Rosie in “Live And Let Die”. The only peril is that each line Lazenby speaks seems to be made up of several different takes, all recorded at different sound levels, which makes him sound as if he has a perminant attack of hiccups; composed you do net traditional to it. If Lazenby lacks experience his deficiency is compenceted by the standard of acting from the rest of the cast and the kindly dialogue in this film; for example, Moneypenny’s devastating assign down when Bond attempts to resign the Service “What did you seek information from, a knighthood? ” is unforgetable and one of the few times Lois Maxwell’s character gets the upper hand in the whole series.
The structure of this film is very different from the others in the series; Bond spends the first half of the film meeting and falling in treasure with Tracy. He then locates Blofeld, discovers his view and only then does the film shift up into the frenetic crawl that we more normally associate with the Bond films. The ski and car scoot sequences that follow are terrifically intriguing and compare favourably with the best in the series. Then we have the final confrontation with Blofeld and inevitable distruction of Piz Gloria. Incidentally Lazenby’s encounter with the St. Bernard dog after the bob sleigh toddle was apparently ad-libbed and for an untrained actor he does it better than many RADA graduates I can consider of.
Peter Hunt, more than anyone else, was the man brought this film together as a first time director it is a sparkling debut. For instance his choice of Simon Ravan to add dialoge to the scenes between Blofeld and Tracy lifts the whole film. Almost every shot seems to contemplate his feel for the book. It is only fitting that the opening shot of the film, absent construct the VHS version, which containes his reflection in the brass name plate of “Universal Exports” has been restored to this print.
Many action film fans despise this portray well they’d better stick to “Things Withhold Exploding III” which at least is better than “Things Support Exploding II” although not as marvelous as “Things Retain Exploding” although it lacks the characterization of the other two. The rest of us can be pleased the most literate of the James Bond films. It’s not better or worse than any of the others honest different.
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